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The Strokes have passed but this album is still a very cute one (and with a very slight touch of sexy but in a different way than what AH does with his lover Julian)
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Can I waste all your time here on the sidewalk? 
Revision? Exams coming? Oh...
Reposted bytwicewernikpotrzaskmotherofdragonslexxiebartchlemkovezupa-z-nietzschegomuviellrevaliechavelehemptywardrobebarricaderurky
Casablancas explains the dichotomy of giving a fuck and not giving a fuck in your early 20s
— rap genius user on I should have worked much harder / I should have just not bothered verses from The Strokes' Barely Legal
Reposted bybruja bruja
7288 b62f
(HANDS DOWN, this is the cutest, coolest, and such a sexy bromance)
Reposted bytove tove
Shiro Kuramata, Glass Chair, 1976 (and all you know about it is that it was on the cover of The Strokes' single...)
Reposted byuniquemaraskowablacktoblackbawelnianainsanedreamersahljustonebreatheTomred97flawlessjestemdeszczemzEveRkilljill13-dayssiriusminervataka-jedna-jaKabriolettalinandrillatutushahatirytacja
Albert Hammond Jr. with Agyness Deyn in New York City, 2008
Reposted bythekillerinthecrowdLauderdak
Are you satisfied with what you’re doing at the moment? “No way,” he concludes. “Hell, no, baby. People might think it’s perfect right now, but next week, they’re going to want to hear something else. I want to provide that something else.
— Julian Casablancas in an interview for NME, May 2001. Notice it is the beginning of Strokes' career blasting like a fucking supernova, but still before the release of Is This It. Reading the article again made it clear to me why I come back to The Strokes so often even now, I'm like those people in LCD Soundsystem's track, with their nostalgia for unremembered eighties, I've got the nostalgia for not lived 00's (indicated by the fragment on girls shouting deliriously), I always feel sorry I didn't have a chance to experience that, and to see the guys when they used to be sexy and pretty (and boys, not men)
Reposted byinaczej inaczej
Work hard and say it's easy
Do it just to please me
Tomorrow will be different
And this is why I'm leaving
— The Strokes, "The Modern Age"
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